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Latin
Quarter
Yet another venue opens its Calle Ocho doors to culture
BY MIA LEONIN
| Although
a Spanish-language version of playwright Samuel
Beckett's masterpiece Waiting for Godot helped
inaugurate Little Havana's new Latin Quarter Cultural
Center, Tony Wagner, artistic director and owner,
waited for no one when it came to creating a truly
multipurpose arts venue. With a shoestring budget,
some grant money, and the help of a few talented
artists, he recently opened the 13,000-square-foot
complex at SW Eighth Street and Fifteenth Avenue
that will serve as a performance space, gallery,
dance studio, and more. |
The
Latin Quarter Cultural Center
Details: Tres En Uno runs from Saturday, January
11, through Sunday, February 16. Performances
are at 8:00 p.m. Friday and Saturday and 3:00
p.m. Sunday. Esperando a Godot runs concurrently.
Performances are at 5:30 p.m. Sunday. Call 305-649-9797.
Where: 1501 SW 8th St. |
The center houses the Latin Quarter Grand Orchestra
directed by Omar Torres, as well as a gallery, which
currently features a 40-year retrospective by photographer
Asela focusing on plays, concerts, and performances
that filled the Miami-Dade County Auditorium. In addition
the space offers theatergoers an eclectic variety
of Spanish-language plays, opening with the aforementioned
Esperando a Godot, directed by Rolando Moreno and
performed by Mario Martin, Carlos Cruz, Jorge Hernandez,
and Olga Flora. If theatergoers missed its first run,
the tragicomedy will reappear as a matinee when the
stage reopens on January 11.
Debuting
too will be three short pieces called Tres en Uno
or Three in One. First up is Yo Prefiero a Caballero
(I Prefer Caballero), a short play by Christie Sanchez,
which takes place in the day room of a Little Havana
activity center as two lifelong friends plan their
funerals. Will it be Caballero or Rivero funeral home?
As the discussion progresses, the friendship begins
to unravel into a comic farce of stories, secrets,
and misperceptions. Julio O'Farrill's comedy Esto
No Tiene Nombre (This Defies Description) revolves
around a conversation between a bossy, loudmouthed
Cuban wife and her henpecked husband, who remains
anonymous behind the sports page. Closing the trilogy
is writer/composer/actor Jorge Hernandez's Canciones
Que Rompen La Rutina (Songs that Break the Routine),
a medley of Cuban standards from son to bolero that
incorporates poetry, humor, and narrative.
After
an intense opening play, it's not surprising that
center honchos chose a lighthearted trio of works
for the new year. As executive producer Vivian Ruiz
explains: "2002 was tough on many levels. We
want to start out 2003 with something that will make
people laugh."
miaminewtimes.com
| originally published: January 9, 2003
Enero 2003
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